Delicate almost to the point of fragility, fleshpot Leblanc was then considered the screen “rival” of Argentina’s other official bombshell babe, the far more swanky siren, Isabel Sarli who was often dubbed as Argentina's answer to Italian goddess Sophia Loren. Interestingly & oddly enough, while Leblanc gets good & plenty naked to bang Ernesto on a beach, her other nude scenes were supplied by an anonymous New York model. And like many an adult import, THE PINK PUSSY became an international movie mutant when shot-in-New-York skin scenes were added for its 1966 US release (further dubbed in English), resulting in sexploitation starlets of 2 different continents colliding for leering pleasure. Along with the Manhattan body double displaying her naked contours as a stand in for Leblanc's 2 shower scenes, similarly, there’s a wonderful backstage moment where a naked Mara keeps her face hidden from the camera as she chats with none other than NY nudie-cutie fave JUNE ROBERTS who looks adorable putting pasties on her perky nipples. And the hotel room sex scene between Mara & Ernesto is also done with doubles who do their best to conceal their faces (even though Ernie sports a tattoo on his arm for this scene only). Even with its naughty title that can still raise eyebrows today, THE PINK PUSSY was simultaneously released with its accompanying tagline, "Where Sin Lives" (for those theaters that didn’t dare advertise the blatant vagina moniker, and in some areas re-titled THE GREEN PUSSYCAT, and THE PINK KITTEN CLUB). Also known as HARASSED or THE EXPLOITERS, the trailer is just as lurid as a delightful honeytrap of a woman purrs repeatedly for us to explore the sensuous kitty palace.


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